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The Color of My Skin

7/17/2020

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When I was younger, I never wanted to stay out in the sun too long
because if I did I would get “too dark.”
because “fair skin is beautiful and dark skin is not.”
because then I would “look more Indian.”
because then people would look at me more differently than they already do.
And I don’t want the attention.
I want to be beautiful like the white Bollywood actresses.
And God forbid I marry a dark man because then my children will be “dark.”
And “dark is shameful.”
“You don’t act Indian.”
“You don’t sound Indian.”
“You are white on the inside.”
And for some reason that felt like a compliment.
Why?
Because our society rewards people of color when they suppress their cultural background.
If I can fit in with whites it means I am normal.
I am not “weird” or “foreign” or “different.”
I am not a threat. I am not a terrorist.
If I can fit in with whites then maybe I can travel down South without worrying about my safety.
Without worrying about dirty looks, racial slurs, or simply being at the wrong place at the wrong time.
If I can fit in with whites then maybe I will stand a chance
But the color of my skin gives people the right to judge me
And the color of my skin defines me.



​Author Bio:
The author is a young 24-year-old second generation South Asian-American female from New Jersey pursuing a career as an optometrist. 
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Diva~ By Toti O'Brien

7/16/2020

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She botched the entrance twice, the substitute lead
duly paid, quite a pro, superiorly trained
one who could look at a score, unscramble it cold.
The entrance was abrupt, in the second measure.
The entrance came as a slap in the face in the second
measure, third beat. And she saw it
open eyes, throat open, heart and lungs wide open.
She observed, almost admired it, she embraced it
her whole being prepared to mouth it
gulp it then spit it out but she couldn't.
She swallowed instead.
*
He turned towards her, the conductor
one she hadn’t met before.
Instead of going on he turned and he lifted an eyebrow.
A split second. That gaze she’d never forget.
Frozen blade, laser sizzling her on the spot.
Only two bars in the famous conductor
took the liberty of starting over
gave the poor clumsy thing
an undeserved second chance.
*
Now she knew where the entrance was.
Two words, third and fourth beat
of the second measure, easy to pronounce
a prayer, a chant, what was this piece
about? Someone told her, of course
when hours ago she received the call
concert dress always spick-and-span in the closet.
Now she knew where she should sing
the soprano sub, like an angel
like crystal rain from above
and she breathed on time
and yet something choked her
and she missed as one skids on black ice
as one skips a step and then rolls
down a flight of stairs and lands on her back.
This time the conductor went on.
She jumped in as if mounting a wild
unsaddled nightmare. She sung through.
She bowed at the applause.
*
As she wanders backstage, seeking the green room
the score flickers behind eyelids half-close.                                                 
The diagram of the second bar
lines her corneas still. The words cruelly
eluding her tongue were perdona nos.
She removes make-up in front of the mirror
thoughts unfocused, brains leaking lassitude.
She muses about the two most reflective
things she can think of, self-portrait and suicide.
Leaning back on her chair, she imagines
a stroboscopic lamp, a globe, but concave
or perhaps she is in it.
Sphere of faceted shine, sparkling beehive.
She can feel the smoothness of glass
its cool, soothing surface
and the lethal sharpness of shards.


Author Bio:
Toti O'Brien is the Italian Accordionist with the Irish Last Name. She was born in Rome then moved to Los Angeles, where she makes a living as a self-employed artist, performing musician and professional dancer. Her work has recently appeared in Bridge Eight, Little Somethings, Metafore, and Alkhemia Poetica.

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Love Atrophy~ By Tom Misuraca

7/15/2020

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I know the moment our eyes meet through the cliché of a crowded room, that it will someday end.
We try to look at each other while trying not to look at each other; someday we won't be able to stand the sight of one another. As I make my way toward you, I wonder how long it will be before I'm avoiding you.
I summon the courage to ask you a stupid question. You give a stupid reply. We don't care, we're just
happy to be talking. We're far from the days of calling each other “morons”.

Right now we hang on every word, wanting to learn all we can about each other. Long before those days
of ignoring and trying to forget. 

I ask for your number. You gladly scrawl it on the back of a business card. I'll stare at those handwritten digits all night, never thinking about the day I’d dread seeing that number come up on my caller ID.
You make me comfortable, but I know the future discomfort you will bring.

At the end of the night, I ask to walk you to your car. You're thrilled. Someday we'll take the same car to a party. Then we'll be back to separate vehicles even though we live together.

After a few minutes of awkward chatter, I move in for the first kiss. I love the feeling of your lips against mine. A sweet new taste. Long before the foul morning kiss. Long before that kiss good-bye.


Author Bio:
Tom Misuraca studied Writing, Publishing and Literature at Emerson College in Boston before moving to Los Angeles. Over 80 of his short stories and two novels have been published. Most recently, his story, Text Roulette was published in The Helix Literary Magazine. He is also a multi-award winning playwright with over 100 shot plays and 11 full-lengths produced globally. His musical, Geeks!, was produced Off-Broadway in May 2019.

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Step Into My Shoes, Sister~ By Elizabeth Suggs

7/13/2020

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Step into my shoes,
See how it is.
Step into my shoes,
Play with my fears.
Tug at what I once desired.
Step into my shoes,
See how it feels.

Wait--
It hurts.
Stop--
You’ve shoved me from my socks.
You’ve pulled out my skin.
I’m left with bones to stand on.
While you trap your feet.
Trap them in layers upon layers of skin.

I’m bleeding.
There’s so much--
You’re bleeding--
Not enough.

You’re drying up--
But mine--
It pours so quickly.
I can’t stop it.
Please stop it--

Where did you go?
I can’t see--

I’m blind.
You’ve made me blind when you sit.
I hear the chair creak.
Hear your feet tap against the ground.

I’m bleeding--
Please make me stop bleeding.

Your hand--
Touches my cheek.
Lets me know it will be okay.

Your hand--
You cover my eyes.
You won’t let me see you like this.

Please, sweet sister--
I love you. I need you.

My shoes were too big--
You took in too much.

Your hand falls from my face--
I see a room.
The sun slips through the window.

You have no shoes--
Nor any socks.

You sit cross-legged on the ground.
I sit beside you.

No longer do I bleed--
Nor am I barefoot.

I untie my shoes.
Pull them from my feet.

I kiss your big toe, like when you were a child.
Your skin is cold.
Your toes are ice.

Step into my shoes--
They’ll keep you warm.
They’ll hold you when I can’t.
Step into my shoes--
They’ll fit just right.

They’re left out for you--
An extension of me.

Step into my shoes, sweet sister.


Author Bio:
Elizabeth Suggs is a writer, an editor, and a leader in the writing community. She obsessively writes each morning, lunch, and evening either for submissions or for her current sci-fi book. When she’s not writing, she’s leading a group of writers through bi-weekly workshops on feedback and focused writing. She believes these meetings help writers understand themselves in the world and better prepare them for major publishers.

Outside of writing, Elizabeth devours literature through reading or listening. She tries any genre once, but she especially loves classics, horror, sci-fi, and psychology texts. Sometimes she even listens to audiobooks while playing games because she can stay productive that way.

She used to be a journalist, so many of her publications are nonfiction hard news and events, but she hopes to break the pattern and publish works of art in fiction and poetry, just like the authors she loves reading. If you’d like to connect with her, please find her on Twitter: @elizabethasuggs
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Not My New Normal~ By Sam Barbee

7/13/2020

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It can happen here. Bilge currency of words,
not thoughts. Clear reason tilled. Treason
stilted. Dull currents empower the shrill.

Surf clouds. Shroud the frontal lobe. Video
strobe of reality TV – a host w/ the most.
Super Bowl & March madness. Ides of March,
knives in the heart. Game shoes w/ gold laces.
Blue ribbon blunders, badges while wondering.

Costly gravity, caustic depravity. Tryst
amid purchasing power, dunking for Jesus.
Just the facts. Science . . . Bunkum, Dono.

Strap on giddy-up spurs, ride out the blur.
We oscillate. Vacillate. Our requiems
commiserate. Barter telemetry on a red-eye
above repetitive fault lines, howling fault-lines,
pleading fault-lines. Re-shape, re-stitch
American fabric, American fables. Picture-perfect
dog & trophy wife. Kids’ participation orange
& injection. Youngster, Funkster, Punkster.
Tally neighbors’ fingers & toes.

Discordant Olympus for the deplorable. Orchestral
autocrats, oligarchs. Taxation w/o representation.
Declaration w/o dispensation. Simulation package.

Amorous wrist watches flash amorphous minutes
& collude w/ ticks of half-truth. Nanos bite our bones.
Disassemble the tower square clock – open up hands,
the face. Disassemble our cherished trap of delusion
on our cheek, crapped out illusion as the pendulum

swings across blue skies vs. unpunctual red sky.
Why not a purple sky on the near side
of why it must not happen here –


Author Bio:
Sam Barbee's poems appeared Poetry South, The NC Literary Review, Crucible, Asheville Poetry Review, Main Street Rag, The Southern Poetry Anthology VII: North Carolina; plus on-line journals Vox Poetica, Sky Island Journal, Courtland Review, and Blue Hour. His second poetry collection, That Rain We Needed (2016, Press 53), was a nominee for the Roanoke-Chowan Award as one of North Carolina’s best poetry collections of 2016; and is a Pushcart nominee.
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Lives Stolen~ By Kathleen Murphey

7/8/2020

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Lives Stolen

#BlackLivesMatter
#BlackLivesMatter
#BlackLivesMatter,
but they don’t,
not in America,
where the police
kill Black boys,
again and again and again.

Dontre Hamilton (2014), Milwaukee, WI,
Eric Garner (2014), New York, NY,
John Crawford (2014), Dayton, OH,
Michael Brown (2014), Ferguson, MO,
Ezell Ford (2014), Florence, CA,
Dante Parker (2014), Victorville, CA,
Laquan McDonald (2014), Chicago, IL,
Akai Gurley (2014), Brooklyn, NY,
Tamir Rice (2014), Cleveland, OH,
Rumain Brisbon (2014), Phoenix, AZ,
Jerame Read (2014), Bridgeton, NJ,
Tony Robinson (2015), Madison, WI,
Phillip White (2015), Vineland, NJ,
Eric Harris (2015), Tulsa, OK,
Walter Scott (2015), Charleston, SC,
Freddie Gray (2015), Baltimore, MD,
Alton Sterling (2016), Baton Rouge, LA,
Stephon Clarke (2018), Sacramento, CA,
George Floyd (2020), Minneapolis, MN,
and too many others,
and too many others.
When is Enough, ENOUGH!

They’re THUGS to Trump and his followers.
They’re unarmed Black men,
who have been slaughtered, to the rest of us.
Lives lost,
lives stolen,
like in slavery,
which is supposed to be over,
but lingers, in racial violence,
raising its spectral hand
to kill
another Black boy.



Author Bio:
Kathleen Murphey is an associate professor of English at Community College of Philadelphia. Her poems have been published through Writing in a Woman's Voice, the Pennsylvania Literary Journal, among other platforms/publications. JMS Books will publish her collection of alternative, sex-positive, LGBTQ+ fairy tales, Rainbow Tales, in July. For more about her, visit her website at www.kathleenmurphey.com.
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Haystack~ By Xanadu

7/8/2020

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I write like a puma
        (free after César Vallejo)
 
Gray ground like shade to yellow brights
of double structures of agricultural shapes
of hay and straw that may dot
the rural landscape
 
As it features this canvas
how golden yellow can shine
against darkness of green
with purple as an innocent judge
 
In between--only there to set up the scenery
to facilitate an objective decision
like a nocturnal judgement
one once said
 
As pointed out in
the violet flowery
that mysteriously covers
foreground of painting
 
Reflecting like lilies
in sheaves of grain
 
An enigma of abundance of nature
one may expect a promising harvest.
 
Xanadu (Ofvallejofame) for The Voices Project (June 2020)
(Thanks to Martin Malharro 1911 Las parvas (la pampa de hoy)
Museo de Bellas Artes Buenos Aires--please, find virtual painting
on Las parvas (la pampa de hoy))
 
 
Author Bio:

Xanadu lives in Iv, Space of Infinite Imagination, Public's Home 0.
It consists in publications, performances and exhibits in art, jazz and literary contexts.
气 is the Chinese sign qi (please, ask your local Traditional Chinese Medicine for its many senses).
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—Applause~ By April Reith

7/8/2020

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I remember broken verses
filling quiet, empty rooms.
Invisible lines, demarcations.

—Apart, aloof.

Until chaos
came unnoticed
turning silence

         into voice.

Unturned pages kept on rolling, forever anthems
unheard.
Replaced by singing vocals, mellifluous, in defiance,
unexcelled.

We were back to old home remedies,
to crafting household cures,
engineering in containment,
mining antidotes from song.


Then the echoes became chants
and we sat at a dinner table
to see the flowers sprout
wishing

   for the death wish to pass by
                       [or pass us over.

—Wishing.

From hope we built kinship, a
thousand million networks in fear of a
thousand million faces going mute.


We cried, and laughed, and cried, and cried. We healed
and scarred
and came all the way here

         [out to the balcony,
to cheer and celebrate survival.

         [Another day / A day less
         hanging on a lifeline / holding on.


We wore pyjamas to the streets,
uncaring but

         cared for
and we became Tomorrow.


In the half-shadows of contagion and restraint,
we attended daily meetings,
porch at 8 p.m.,
and without battling security measures, we hugged in a distant tweet.
We looked in the eye of a stranger

—familiar,
         an old neighbor—

and saw her for the first time. Aged.
Across the balcony.
In fear.

Singing.

We repeated, claimed in circles
I’m here for the[e]— 


Author Bio:
April Reith lives in Salamanca, where she works as researcher and university instructor. She holds an MA on Advanced English Studies and is currently writing her PhD dissertation. Her literary and research interests center on issues of vulnerability, displacement, memory, and the female body.
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COVID-19~ By Lissa Jones

7/8/2020

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I am my own and no one else's. I belong to no one but myself. The feeling of aloneness has overtaken me but the light is still brightly shinning. How can I feel when there is no heart beating? How can I breathe when my lungs forget to inhale life? My hope is lingering on by a shred of this dimly light, that is now mixed with despair. My body is achingly, longing for release of that now diminishing shining light. I am my own and belong to no one but this sickness that is trying to overtake me. Will I remain alone? Will I?


Author Bio:
I am a mom of three wonderful children. I have always loved writing. Poems and short story's are my favorite. When I am writing I view it from many different perspectives and try to make it relatable to all. Writing poetry and stories is truly a gift that should be shared. It's like you are forever writing a love story or tale that will never end or be forgotten.
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Zoom to Paper Dolls~ By Jane M. DeGeorge

7/6/2020

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(Coping in Quarantine/Safe at Home)                           

I can do this; I affirm with a smile.
I work from home, so few changes in style.
 
I already use Zoom to connect on-line.
Connecting with groups, too, will be just fine.
 
Three groups in week one, went really great.
Two weeks will go fast, a sprint at this rate.
 
Daily I record, Relax, we’ll get through.
I post activities and positives, too.
 
Working is wonderful along the way.
Helping others heal, makes my day.
 
These days I do this over the phone,
no hugs though as I stay here, home, alone.
 
New baby? I got pictures of the ‘Little Squish!’
Everyone’s healthy, the best birthday wish!
 
A friend’s son has cancer, I learn on the phone.
Just diagnosed and in his brain and bone.
 
“I’m so sorry,” I cry and manage to say.
The mom says, “I just hope with him I can stay.”
 
My heart sinks, knowing her final path with her son.
Unthinkable, cut off before its course run.
 
With the 2 weeks almost up, April filled in quick.
With thirty more days added, I feel tricked!
 
I did what was asked, following the rules.
Stayed inside and kept my cool.
 
I watched the Covid numbers stay in check,
no hospital overflow here; what the heck?
 
Two weeks I was willing to give for the cause,
Thirty more days gave me more pause.
 
My friend’s son died in just fifteen short days.
No gathering, just posts, we all stayed away.
 
I sent a condolence card and she sent a note.
“Now I’m really alone,” was what she wrote.
 
My husband’s friend died of a stroke overnight.
The shock sent him reeling, and no service in sight.
 
I know anger and sadness won’t help me get through.
I double up on walks and meditation, too.
 
I send more cards and letters; more Zoom groups start to form.
Talking with my sisters is now a Saturday norm!
 
A friend made paper dolls, complete with our faces,
missing our breakfast club, the dolls hold our places.
 
The silliness made me laugh when I saw them on Facebook,
we laughed more when Zoom squares gave us a Brady Bunch look. 
 
Tears and laughter move me forward, with a smile.
Confident we can do this, is much more my style.
 
Listening and talking, encouraging along the way,
connecting with more people, and ‘seeing’ they’re okay,
 
helps to make the difference while isolation occurs,
while days, weeks, then months, now become a blur.
 
So, I practice what I preach and focus on the now.
I breathe in and breathe out, and joy slips in somehow.
 
​
Author Bio:
Jane M. DeGeorge loves words almost as much as she loves people. She began writing as soon as she could hold a pencil. She has wonderful energy and enthusiasm, a soothing voice and left a management position in the non-profit world to pursue helping people at a greater depth as a psychic medium. Jane shares about life, love and the hereafter through her poems, short stories, a blog and is working on her first book. Jane earned her BA in Communication and her MS in Counseling. For fun, she’s known for changing words to songs to fit the occasion, creating themed game shows and has mc’d improv for an audience of 200 of her closest friends. Jane’s been married more than 30 years to the same man, who happens to be an introvert. Before they married, Jane’s mom warned him, he would have adventures!
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